However, the things that bothered me about the Olympus Zuiko Digital ED 35-100mm f/2, its size and weight, and to show what Olympus could have done with a 35-100 f/2.8 lens, here's a short comaprison between the Olympus Zuiko Digital ED 300mm f/2.8 in Canon EF 400mm f/2.8 L IS.
Canon 400 mm f/2.8 to the left, Olympus Zuiko Digital 300 f/2.8 to the right. The viewing angle of the Olympus lens is the same as that of a 600 mm lens in 35 mm format. With a 1.6 crop factor camera, the 400 mm Canon lens has a viewing angle equivalent to that of a 640 mm lens on full 35 mm format. This makes the two lenses very similar when it comes to viewing angle and aperture. However, there is a marked difference in size and weight. |
The Canon lens weighs 5370 g, while the Olympus lens weighs 3290 g. That's a huge weight difference. And believe me, it shows in practice. Despite the fact that the Canon lens is stabilised, it's difficult to get a clear shot at 1/500 s shutter time. With the Zuiko Digital 300/2.8, there are no such problems. The weight difference is enough that a monopod is almost required for the Canon lens. In 2002, this was the lens that demonstrated what the 4/3 system is all about - small, light lenses. The Zuiko Digital 35-100 mm f/2 is exaclty the opposite. |
The Canon lens is 349 mm long. The Olympus lens, on the other hand, is only 281 mm long. This makes it much easier to work with. |
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Olympus E-1 and the Zuiko Digital 300 mm f/2.8. |
Canon EOS D60 (1.6 crop factor) and the 400 mm f/2.8 lens. |
Olympus to the left, Canon to the right. 100% crops. |
Olympus E-1 and the Zuiko Digital 300 mm f/2.8. |
Canon Eos D60 (1.6 crop factor) and the 400 mm f/2.8 lens. |
Olympus to the left, Canon to the right. 100% crops. |
Olympus to the left, Canon to the right. 100% crops. The Canon image is downsampled to match the Olympus image in size |
The original shot. |
Olympus to the left, Canon to the right, at 1/500 s, no monopod or tripod, 100% crops. Despite using the IS feature on the Canon lens, it was difficult to get a clear shot. With the Zuiko Digital 300 mm f/2.8, it wasn't a problem. |
Olympus makes good lenses, and these lenses are one of the principal advantages of the 4/3 system. For that reason, I can’t understand why they made the Zuiko Digital 35-100 mm f/2.0. I know that some people will love it. Some people will even go nuts over it because of its huge aperture. But is it really a lens you would love?