e-fotografija

About Us

Archive

Photo Gallery

Forum

Front page News Articles Cameras Lenses Accessories Printers Tutorials Software Video PDF
e-Photographia
Articles


Visit page

 

 

 

 

Olympus Evolt E-510 Review / DIWA Awards
4 August 2007 - By Matjaž Intihar. Translation by Jože Svetičič.

Image quality with kit lenses

At the first glance, it was obvious that the camera has excellent image processing algorithms. The sharpening is a bit heavy handed, resulting in grainy appearance at 100% magnification. However, since the camera processes images so well, it's not necessary to process them with the computer, while the prints mask the grain well. In other words, don't worry. It would also seem that the camera corrects for lens errors, producing great results with kit lenses. There's little evidence of chromatic aberration (purple fringing), and sharpness is good at all focal lengths. When comparing both lenses at about 40 mm, the only noticeable difference is a slightly cooler tint of the 14-42 lens. This again was a very positive surprise, and that’s not all – Olympus E-510 fares well in high ISO tests, too, which used to be a weak point of the 4/3 system.


The whole picture at 14 mm (28 mm equivalent). All shots are at f/8 and ISO 100.


100% crop, 14 mm (28 mm equivalent).


100% crop, 14 mm (28 mm equivalent). Despite the relatively wide angle and high contrast in certain regions, almost no purple fringing is visible.


100% crop, 14 mm (28 mm equivalent). For a kit wide angle lens, this is a remarkable achievement – good sharpness and very few errors. I believe that the errors are corrected in the camera.


100% crop, 26 mm (52 mm equivalent).


100% crop, 26 mm (52 mm equivalent).


100% crop, 26 mm (52mm equivalent). The image is really well processed – in most competitive cameras, the leaves and wires aren't that sharply defined.


100% crop, 26 mm (52 mm equivalent).


100% crop, 42 mm (84 mm equivalent).


100% crop, 42 mm (84mm equivalent).


100% crop, 42 mm (84mm equivalent).


100% crop, 42 mm (84 mm equivalent) to the left and 40 mm (80 mm equivalent) to the right. Compared to the 40-150 mm lens, the 14-42 lens has a slightly cooler tint. However, they both exhibit excellent sharpness.


100% crop, 40 mm (80 mm equivalent), Zuiko Digital 40-150 mm.


100% crop, 40 mm (80 mm equivalent), Zuiko Digital 40-150 mm.


100% crop, 75 mm (150 mm equivalent).


100% crop, 75 mm (150 mm equivalent).


The whole picture at 150 mm (300 mm equivalent).


100% crop, 150 mm (300 mm equivalent).


100% crop, 150 mm (300 mm equivalent).


« Prev 1 2 3 4 5 [6] 7 8 9 10 11 Next »

Author : By Matjaž Intihar. Translation by Jože Svetičič.

Contact e-Photographia.com

Published by: Joze Sveticic

Article ID: 1100

Related articles:

  • Overview of entry-level DSLR cameras
    More than just a few people buy a top of the line DSLR as their first camera. Is this the right way to get into digital photography? Well, there are two sides to every coin. Those photographers who are willing to invest their time into learning and are really enthusiastic about photography are usually the first to find out all about the advantages, as well as the disadvantages, of using an SLR. Using the instruction manuals, Web resources and photography courses, anyone can learn a lot about photography.
  • Bigger and badder - Zuiko Digital 90-250/2.8 review
    A review of the great and hugely expensive Zuiko Digital 90-250/2.8 with loads of samples.
  • Zuiko Digital 35-100 mm f/2.0 Review
    The Zuiko Digital 35-100 mm f/2.0 clearly shows that it's possible to produce a zoom lens with an aperture that was up to now only available in primes. This is where Olympus did the giant leap forward. But there was a price to pay. For this class, the lens is extremely large and heavy.
  • Sony Alpha 700 first impressions
    The Sony Alpha 700 will certainly get a warm reception from the existing Sony and Konica Minolta users, but as to those who have yet to get into the wonderfully expensive world of DSLRs, well, that remains to be seen. Let's wait till the cameras hit the shelves – with the final firmware.
  • Nikon D3 and Nikon D300 first impressions
    First impressions review of the Nikon D3 and Nikon D300.
  • Olympus E-3 Announced
    Olympus E-3 press release
  • Olympus E-3 - first impressions
    Matjaž gets soaking wet in rainy Istanbul. He risked life, limb and a very angry missus just to see if the Olympus E-3 could take it. It could.
  • The last Canon EOS
    In 2004, Mr. Iwasaki Takaya told me to expect an EOS 3D. This would mean a new, high quality body, with 1Ds Mk II sensor, a high resolution screen and perhaps even video recording. Oh yes, it’s completely unthinkable, video in a still camera.

 
  Send or print this article
   Articles search    
                                             Copyright: e-Photographia | Matjaž Intihar

 

 

Latest Articles


Copyright: e-Photographia.com | Matjaž Intihar
(All material on this site is copyright protected and may not be reproduced in any form without express written permission of the publisher)