Image quality at vivid (saturated colours), natural (natural colours) and muted (bland colours) settings.

Especially in artificial light, auto white balance tended to be a bit warm.

It only took some minor adjustments in Photoshop to get rid of it, though.

Vivid

Natural

Muted

The differences are minute. It takes a good monitor to notice the difference between natural (above) and vivid (below).

• Overview of entry-level DSLR cameras
  More than just a few people buy a top of the line DSLR as their first camera. Is this the right way to get into digital photography? Well, there are two sides to every coin. Those photographers who are willing to invest their time into learning and are really enthusiastic about photography are usually the first to find out all about the advantages, as well as the disadvantages, of using an SLR. Using the instruction manuals, Web resources and photography courses, anyone can learn a lot about photography.
  
• Bigger and badder - Zuiko Digital 90-250/2.8 review
  A review of the great and hugely expensive Zuiko Digital 90-250/2.8 with loads of samples.
  
• Zuiko Digital 35-100 mm f/2.0 Review
  The Zuiko Digital 35-100 mm f/2.0 clearly shows that it's possible to produce a zoom lens with an aperture that was up to now only available in primes. This is where Olympus did the giant leap forward. But there was a price to pay. For this class, the lens is extremely large and heavy.
  
• Sony Alpha 700 first impressions
  The Sony Alpha 700 will certainly get a warm reception from the existing Sony and Konica Minolta users, but as to those who have yet to get into the wonderfully expensive world of DSLRs, well, that remains to be seen. Let's wait till the cameras hit the shelves – with the final firmware.
  
• Nikon D3 and Nikon D300 first impressions
  First impressions review of the Nikon D3 and Nikon D300.
  
• Olympus E-3 Announced
  Olympus E-3 press release
  
• Olympus E-3 - first impressions
  Matjaž gets soaking wet in rainy Istanbul. He risked life, limb and a very angry missus just to see if the Olympus E-3 could take it. It could.
  
• The last Canon EOS
  In 2004, Mr. Iwasaki Takaya told me to expect an EOS 3D. This would mean a new, high quality body, with 1Ds Mk II sensor, a high resolution screen and perhaps even video recording. Oh yes, it’s completely unthinkable, video in a still camera.