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Canon EF 70-200mm f\/2.8L IS II USM<\/b><\/a>
5. januar 2010<\/i>
Canon<\/i>
Canon\'s New EF 70-200mm f\/2.8L IS II USM Incorporates Advanced Lens Elements and Enhanced Durability for High-Speed Autofocus and High-Performance Optical Image Stabilization.<\/font><\/div><\/td><\/tr>
DIY servicing prime lens Minolta 50mm f\/1.7<\/b><\/a>
14. oktober 2008<\/i>
Zeljko Bozic<\/i>
Most photographers, when they jump into the DSLR category, buy a kit. After a while they realize that changing the lenses gives them some advantages. Then they decide to buy better lenses, often the second hand ones. These lenses are cheap and ithere is a chance to buy “a pig in a poke”. Even when we test it, it can stop working after some time, without any reason. <\/font><\/div><\/td><\/tr>
Nikon launches the AF-S NIKKOR 50mm f\/1.4G lens<\/b><\/a>
22. september 2008<\/i>
Nikon<\/i>
The AF-S NIKKOR 50mm f\/1.4G lens is a fast, fixed focal-length lens with normal picture angle when used with Nikon’s FX-format D-SLR cameras. Its newly developed optical system delivers high performance, as it efficiently corrects sagittal coma flare and chromatic aberration.<\/font><\/div><\/td><\/tr>
AF-S DX NIKKOR 18-105MM F\/3.5-5.6G ED VR<\/b><\/a>
27. avgust 2008<\/i>
Nikon<\/i>
Nikon Europe is pleased to announce the introduction of the AF-S DX NIKKOR 18-105MM F\/3.5-5.6G ED VR. The new NIKKOR lens, with a focal length between 18 and 105 mm, is a high performance and cost efficient lens with a focal length equivalent to 27 to 157.5 mm in 35 mm format. It has been designed to partner with Nikon’s D90. The introduction of this new lens offers even greater freedom in lens selection and is the perfect choice for any photographer.<\/font><\/div><\/td><\/tr>
Tamron announces two additional lenses with a Built-in Motor for Nikon<\/b><\/a>
27. maj 2008<\/i>
Tamron Inc.<\/i>
The 28-300mm VC is the first stabilized lens from Tamron incorporating Tamrons proprietary technology called VC -Vibration Compensation. When mounted on a DSLR with an APS-C sized imager, the lens covers a 43mm wide angle to 465mm equivalent ultra telephoto. It is not without reason that this „Super Performance“ lens has been distinguished with many awards worldwide. The most compact fast standard lens of its class is now available with a „built-in“ motor in order to also serve users of new Nikon cameras which require a „built-in“ such as the Nikon D40.<\/font><\/div><\/td><\/tr>
ZUIKO DIGITAL 25mm 1:2.8 - Ultra-light, ultra-bright<\/b><\/a>
5. marec 2008<\/i>
Olympus<\/i>
At only 23.5mm long and weighing 95g, the remarkably thin and lightweight ZUIKO DIGITAL 25mm 1:2.8 pancake-type lens from Olympus is ideal for the mobile D-SLR photographer.<\/font><\/div><\/td><\/tr>
PENTAX extends lens range for digital SLRs<\/b><\/a>
24. januar 2008<\/i>
Pentax Inc.<\/i>
Five new lenses are announced to supplement the existing range of accessories for digital SLR cameras. <\/font><\/div><\/td><\/tr>
Tamron Announces the Development of 70-300mm with Built-In Motor for Nikon<\/b><\/a>
21. januar 2008<\/i>
Tamron Inc.<\/i>
Mr. Morio Ono, of Tamron Co., Ltd., announced that the company has developed 70-300mm F\/4-5.6 Di, a zoom lens in full-size format, with a Built-In Motor for Nikon, after the launch of the previously announced Tamron AF18-250mm F\/3.5-6.3 Di II (Model A18).<\/font><\/div><\/td><\/tr>
Nikon Announces High-specification Lens for Consumer Digital SLR Cameras<\/b><\/a>
22 November 2007<\/i>
Nikon Press Release<\/i>
Nikon has added a new member to its renowned family of Nikkor lenses with the announcement today of the AF-S DX NIKKOR 18-55mm f\/3.5-5.6G VR, a general-purpose lens developed specifically to cater for users of entry-level digital SLR cameras.<\/font><\/div><\/td><\/tr>
The Story of Tatsuno<\/b><\/a>
18 October 2007<\/i>
Olympus Press Release<\/i>
Nestled away within the mountainous Kami-Ina region of Japan’s Nagano prefecture lies Tatsuno, a place long known for its ability to inspire with lush landscapes and a high concentration of precision industries. <\/font><\/div><\/td><\/tr>
Olympus bolsters E-System with new ZUIKO DIGITAL lenses featuring the Supersonic Wave Drive AF system <\/b><\/a>
18 October 2007<\/i>
Olympus Press Release<\/i>
To accompany the release of the E-3 professional D-SLR, Olympus is expanding its range of ZUIKO DIGITAL lenses, which are compatible with all Four Thirds System-based camera bodies.<\/font><\/div><\/td><\/tr>
Nikon D3 and two lenses 14-24mm and new 24-70mm<\/b><\/a>
23. avgust 2007<\/i>
Nikon<\/i>
Nikon has eclipsed the competition with the D3, a cutting edge camera that will change how professional photographers take pictures,” said Robert Cristina, Brand Manager, Nikon Professional Products, Europe. “The incredible speed, resolution and flexibility of the D3 will enable photographers to capture images under conditions previously thought impossible.<\/font><\/div><\/td><\/tr>
AF-S NIKKOR 400mm f\/2.8G ED VR, 500mm f\/4G ED VR, 600mm f\/4G ED VR<\/b><\/a>
23. avgust 2007<\/i>
Nikon<\/i>
Nikon Europe today announced no less than three new super-telephoto lenses incorporating Nikon’s exclusive VR II Vibration Reduction system. Aimed at professional sports, news and wildlife photographers, the AF-S 400mm f\/2.8G ED VR, AF-S 500mm f\/4G ED VR and AF-S 600mm f\/4G ED VR complement the NIKKOR range of super telephoto lenses. The new super telephotos give photographers the equivalent of a shutter speed 4 stops faster, thanks to Nikon’s VR II technology.<\/font><\/div><\/td><\/tr>
Zuiko Digital 35-100 mm f\/2.0 Review<\/b><\/a>
1 October 2005<\/i>
By Matjaž Intihar. Translation by Jože Svetičič.<\/i>
The Zuiko Digital 35-100 mm f\/2.0 clearly shows that it\'s possible to produce a zoom lens with an aperture that was up to now only available in primes. This is where Olympus did the giant leap forward. But there was a price to pay. For this class, the lens is extremely large and heavy.<\/font><\/div><\/td><\/tr>
Canon EF 14MM f2.8L II USM - Press release<\/b><\/a>
19. avgust 2007<\/i>
Canon<\/i>
Canon today releases its ultra-wide EF 14MM f\/2.8L II USM lens. With the shortest focal length in Canon’s renowned professional L-series range, the lens boasts a 114? angle of view; exceeded only by Canon’s EF15mm f\/2.8 Fisheye. The newly designed lens incorporates aspherical and UD elements to achieve the very highest standards of image fidelity.<\/font><\/div><\/td><\/tr>
Canon EF-S 18-55MM f\/3.5-5.6 IS and Canon EF-S 55-250MM f\/4-5.6 IS<\/b><\/a>
19. avgust 2007<\/i>
Canon<\/i>
Canon today strengthens its EF-S series of lenses with the launch of the EF-S 18-55MM f\/3.5-5.6 IS and EF-S 55-250MM f\/4-5.6 IS. With equivalent focal lengths of 29-88mm and 88-400mm respectively, the lenses are the first in the EF-S series to incorporate a 4-stop Image Stabilizer, dramatically extending low-light performance. Both lenses incorporate specialist optics to achieve exceptional image clarity - the EF-S 18-55MM f\/3.5-5.6 IS employing an aspherical lens element with the EF-S 55-250MM f\/4-5.6 IS benefiting from an Ultra-Low Dispersion (UD) lens element.<\/font><\/div><\/td><\/tr>
Bigger and badder - Zuiko Digital 90-250\/2.8 review<\/b><\/a>
13 January 2006<\/i>
By Matjaž Intihar. Translation by Jože Svetičič.<\/i>
A review of the great and hugely expensive Zuiko Digital 90-250\/2.8 with loads of samples.<\/font><\/div><\/td><\/tr>
The Canon Cannon - EF 400 mm f\/2.8 L IS USM review<\/b><\/a>
4 May 2007<\/i>
By Matjaž Intihar. Translation by Jože Svetičič.<\/i>
A review of the Canon EF 400 mm f\/2.8 L IS USM, with sample images of wildlife and Formula 1<\/font><\/div><\/td><\/tr>
Ultrawide Fun<\/b><\/a>
7 June 2005<\/i>
By Matjaž Intihar.Translation by Jože Svetičič<\/i>
Ultrawide lenses can be a lot of fun. The digital revolution brought many good things, along with a few bad ones. The vast majority of DSLRs sold today have a sensor which is smaller than the full Leica format, which is 36 x 24 mm. This, the so-called crop factor, is all nice and well when using telephoto lenses, as the lens seems to gain in focal length. It doesn\'t, of course, it\'s just that its apparent angle of view is narrower, because only the centre of the image is used.<\/font><\/div><\/td><\/tr>
Canon 10-22 vs Tokina 12-24<\/b><\/a>
8 June 2005<\/i>
By Matjaž Intihar. Translated by Jože Svetičič.<\/i>
A comparison of two extreme wide angle lenses, Canon 10-22 and Tokina 12-24. The manufacturers had to respond to a demand for wide-angle lenses. Canon made the EF-S 10-22 mm f\/3.5-4.5, Nikon made the Nikkor 12-24 mm f\/4 G DX, Olympus made the Zuiko Digital 7-14 f\/4, Sigma made the 12-24 mm f\/4.5-5.6 EX ASP HSM, Tamron made the 11-18 mm f\/4.5-5.6, and last, but not least, there\'s the Tokina AT-X PRO SD 12-24 mm f\/4 IF DX. All of these lenses can capture a really wide angle even on the smaller sensors used in today\'s cameras<\/font><\/div><\/td><\/tr>
Tamron AF 28-300 f\/3.5-6.3 XR Di VC LD Aspherical (IF) Macro<\/b><\/a>
13. marec 2007<\/i>
Tamron PRESS<\/i>
Tamron unveils af28-300mm f\/3.5-6.3 xr di vc ld aspherical (if) macro equipped with proprietary vibration compensation mechanism <\/font><\/div><\/td><\/tr>
Tamron SP AF 70-200mm f\/2.8 Di LD (IF) macro<\/b><\/a>
13. marec 2007<\/i>
Tamron PRESS<\/i>
tamron announces sp af 70-200mm f\/2.8 di ld (if) macro, a lightweight, high-performance and fast tele-zoom featuring a 0.95m mfd over the entire zoom range<\/font><\/div><\/td><\/tr>
Canon EF 50mm f\/1.2L USM <\/b><\/a>
24. avgust 2006<\/i>
Canon PRESS<\/i>
Canon today releases its new L-series standard prime lens: the EF 50mm f\/1.2L USM. Sharing the widest aperture of any lens in Canon’s current EF range, the new model offers extremely fine control over depth of field and consummate low available light performance. It is expected to be popular amongst wedding and portrait photographers, as well as professional photojournalists. Endowed with Canon’s latest AF technologies, the lens embodies the brand’s reputation for superior response high-speed auto focus, while a circular aperture produces beautifully even background blur.<\/font><\/div><\/td><\/tr>
Canon EF 70-200mm f\/4L IS USM<\/b><\/a>
24. avgust 2006<\/i>
Canon PRESS<\/i>
Canon today announces the EF 70-200mm f\/4L IS USM, Canon’s first interchangeable lens with 4 stop Image Stabilizer. This allows hand held photography with no perceptible image blur at shutter speeds up to 4 steps slower than otherwise possible – ideal for low light shooting without tripod or flash.<\/font><\/div><\/td><\/tr>
Canon EF 70 – 300 4.5-5.6 DO IS USM \/ Comparative test<\/b><\/a>
3. june 2004<\/i>
Translated by Gregor Borosa<\/i>
The lens has a long name, but every letter and number is significant. Many Canon SLR users are already familiar with labels, however the DO marking and the green line are something new for most of them.<\/font><\/div><\/td><\/tr><\/table>");